This past weekend was the annual "Spring Into Art" shindig our local library puts on. We went a couple years ago, skipped last year for some reason, but made it this year and boy are we glad we did! Unfortunately, daddy was hard at work BBQ'ing so he could not join us.
The first thing we did Saturday was make some hand-hammered bookmarks. These were made by twisting sterling silver wire in whatever design you like then hammered flat. The artist who put on this workshop would then put on a beautiful drop bead of your choice. Linda Elmore was her name and she has beautiful stuff! Hannah also made some keychains for her daddy and I on Sunday.
Later we attended a workshop on charcoal drawing, taught by a local artist. She had us draw a scene that she had drawn in charcoal from a photograph of a rural area near her home. She, of course, did a much better job! I was very impressed with Hannah's drawing, especially since we have done practically no formal art training yet in our schoolwork and she also has never drawn with charcoal 'pencils' (that are more like very thin, fragile pieces of charcoal than actual pencils). I think she did a great job...of course, I am a
bit biased! We both enjoyed it so much I am going to purchase some charcoal and sketch paper and hopefully find an easel on Freecycle so we can pursue our new love of charcoal drawing. I found it to be very soothing!
Hannah's drawing
Mine!
We made beaded bracelets...Hannah made one for me (the one on the right) and I made one for her. The one she made for me is very heavy! But it's full of the love of a precious daughter so it's more valuable to me than rubies...
We also watched a demonstration on Saturday and Sunday of two marbling techniques and we were completely amazed and intrigued by them both! One is called Turkish Marbling, and is a rather involved process as far as preparation goes. The actual marbling isn't hard at all. But you have to prepare the paper or fabric (the artist, Caryl Hancock out of Indianapolis) with an alum solution first, and prepare a solution of methylcellulose sizing, water and ammonia and let it set for about half a day first. When you're finally ready to get to the marbling, you use thinned acrylic paints...dipping a brush into the paint then lightly touching the surface of the solution. The paints float on top of the solution and you can add all kinds of colors, use various tools to manipulate the patterns, such as combs, skewers, etc. Then you carefully lay down a piece of alum-treated paper to soak up the pattern, rinse it off, and let it dry. It is so cool!
This is Hannah's design. The wavy pattern is called 'Spanish marbling' or 'rock and roll' because the technique used causes what they call 'hesitation' marks. The big white spots were from taking a brush with Photo-Flo solution and sprinkling it all over.
The other technique is one I plan to include in our homeschooling program, as it is much easier, less expensive and just as interesting. It's called suminagashi, which means 'floating ink' or 'spilled ink' as I've seen on some websites. It is an 11th century Japanese technique that was accidentally discovered by some nobility. Traditionally, suminagashi uses only three ink colors, red, blue and black. All you need is a special kind of ink, called Boku Undo, Photo-Flo wetting solution, calligraphy brushes, a large container for regular water, and containers for the ink.
Next, you mix some ink and Photo-Flo, plus a 'non-color' with Photo-Flo and water. You then take your calligraphy brushes and dip one in one ink color, then touch the surface of the water...the ink spreads out in a big circle. Then take the 'non-color' solution and touch the ink circle you just made...and alternate back and forth between colors and the 'non-color'. This creates a bullseye pattern which can then be manipulated by either fanning across the surface of the water, which makes a jagged pattern, using a straw to blow across the surface, or you can use a very fine tool (she had an actual kitty whisker attached to a couple popsicle sticks!) to draw gently through the inks. They swirl and bend and go all over, but don't mix. When You're happy with the pattern, then you lay down an alum-treated piece of paper to pick up the design, as in the Turkish marbling. It's amazing! and Caryl has some absolutely beautiful designs...I wish I'd had a few hundred bucks on me to buy some of her originals...oh well, we'll just have to make our own!
We both tried our hands at the suminagashi:
Hannah's beautiful suminagashi print.
My suminagashi print...tried to make a 'heart' design amidst the swirly blues, but Caryl said the Turkish marbling is better for that sort of thing.
Of course, these pictures don't do them justice. There are fine, tiny detailed lines there you just can't see. But they are really neat! And they have the added bonus of being cross-curricular...art, history (these are both very old techniques), physics (surface tension, etc.), and math (fractals). I can't wait to do this at home!
We had so much fun, and it really made me think about incorporating more art into our homeschooling. I used to be pretty artsy in high school, but that was so long ago I've forgotten the joy of creating somewhat.
Of course, you may be wondering about the 'fartsy' aspect of our artsy weekend...well, Hannah and I were artsy and Jadon was, well, as you might expect from a boy...fartsy...we love him so much, even if he is a little stinker!
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